Four aspiring musical actresses – Carol, Trixie, Polly and Fay – are struggling to make a living on Broadway in the midst of the Great Depression. When producer Barney Hopkins has the idea of creating a show about the Depression, the girls team up with newly-discovered songwriter Brad Roberts to make it happen. But Brad is not who he seems.
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Irresponsible party girl Maggie (Cameron Diaz) is kicked out of her father’s (Ken Howard) and stepmother’s (Candice Azzara) home, where she lives for free, and is taken in by her hard-working sister, Philadelphia lawyer Rose (Toni Collette). After Maggie’s disruptive ways ruin her sister’s love life, Rose turns her out as well. But when their grandmother, who they never knew existed, comes into their lives, the sisters face some complicated truths about themselves and their family.
A quick-witted drifter wanders into a lawless town in the midst of a gold rush. Shocked by the prices of food and meals he reluctantly takes the job of sheriff by amazing the Mayor with his lightning quick, dead eye pistol accuracy. He makes the town council know that he is really just passing through on his way to Australia and he will pull up and leave anytime he chooses (including at the first sign of real trouble). His first day on the job he takes on the biggest, meanest ranching family and meets his klutzy love interest.
In 1980, the United States Ice Hockey team’s coach, Herb Brooks, put a ragtag squad of college kids up against the legendary juggernaut from the Soviet Union at the Olympic Games. Despite the long odds, Team USA carried the pride of a nation yearning for a distraction from world events. With the world watching, the team rose to the occasion, prompting broadcaster Al Michaels’ now famous question to the millions viewing at home: “Do you believe in miracles?” Yes!
Immigrants from around the world enter Los Angeles every day, with hopeful visions of a better life, but little notion of what that life may cost. Their desperate scenarios test the humanity of immigration enforcement officers. In Crossing Over, writer-director Wayne Kramer explores the allure of the American dream, and the reality that immigrants find – and create — in 21st century L.A.
After a bloody invasion of the BOPE in the High-Security Penitentiary Bangu 1 in Rio de Janeiro to control a rebellion of interns, the Lieutenant-Colonel Roberto Nascimento and the second in command Captain André Matias are accused by the Human Right Aids member Diogo Fraga of execution of prisoners. Matias is transferred to the corrupted Military Police and Nascimento is exonerated from the BOPE by the Governor.
Slevin is mistakenly put in the middle of a personal war between the city’s biggest criminal bosses. Under constant watch, Slevin must try not to get killed by an infamous assassin and come up with an idea of how to get out of his current dilemma. A film with many twists and turns.