Barbecue is about more than grilling a piece of meat. It’s a ritual performed religiously across the world. For some it’s a path to salvation. It is the pride of nations. And the stories told around the fires become a way to bring the world together.
Iremar is part of a rodeo troupe that tours the Brazilian northeast. His task is to send bulls into the arena. Intensely exciting physical scenes alternate with contemplative episodes that sketch a painterly portrait of the members of the troupe. Sublime images, which alternate with a less idyllic reality: the hard work amidst the cows. Jointly they form a fabulous choreography, against the background of a rapidly changing society.
On January 1, 2014, recreational marijuana sales began in Colorado. With all eyes on ground zero of the green rush, The Denver Post became the first major media outlet to embrace it and appointed the world’s first marijuana editor. Legalization is not just an experiment for society, but a risk for the dying industry of newspapers to hedge its bets on the booming business of marijuana. Ricardo Baca sets out to report on history in the making with a team of straight-laced staff writers and fish out of water freelancers in tow for The Cannabist as it unfolds. Policy news, strain reviews, parenting advice and edible recipes are the new norm in the unprecedented world of pot journalism.
Miami Vice is a feature film based on the 1980s action drama TV series. The film tells the story of vice detectives Crockett and Tubbs and how their personal and professional lives are dangerously getting mixed.